About
Jodie Landau is a composer, vocalist, and percussionist and is a member of the renowned Icelandic record label Bedroom Community, the acclaimed modern music collective, Wild Up, and the Grammy-winning vocal band Roomful of Teeth. His music combines elements of chamber music, rock, and jazz for live performance, film, theater, opera, and dance. On stage, Jodie can be found singing amidst a sea of dancers, conducting audience members as he teaches them to sing a song on the spot, portraying a disembodied heart donor in Valgeir Sigurðsson’s opera “We Are In Time”, playing handmade microtonal glass bells by Meara O’Reilly, or singing original music and covers while playing vibraphone, marimba, keyboards, and harpejji on his own or surrounded by various ensembles of singers and instrumentalists.
Jodie’s debut album with Wild Up, “you of all things” featured the Icelandic female choir Graduale Nobili. Jodie has performed with Los Angeles Master Chorale, LA Phil, NY Phil, The Scottish Ensemble, ICKAmsterdam / Ballet National de Marseille, Ate9 dANCE cOMPANY; for whom he composed the score to their “mouth to mouth”, The Industry, Iceland Symphony Orchestra, as well as artists like Robin Pecknold, serpentwithfeet, Jherek Bischoff, Miya Folick, Ellen Reid, Jacob Cooper, Nadia Sirota, Nico Muhly, Daniel Bjarnason, Dirty Projectors, and more. He’s recorded with Caroline Shaw, Amanda Palmer, Rebekka Karijord, Vampire Weekend, and The Weeknd. His singing can be heard on Simon Franglen’s scores for “Avatar: The Way of Water” and “Avatar: Fire and Ash”. Jodie worked as lead copyist, orchestrator, conductor and performer on David Longstreth’s score for “The Legend of Ochi” and conducted/contracted the choir and sang on Ludwig Göransson's score for "The Odyssey".
In March of 2024 at National Sawdust in NY, Jodie premiered “Performance of Self” a one person show, quasi-cabaret/confessional/music theater piece created, composed and performed by Jodie, produced and commissioned by Beth Morrison Projects that Opera Wire called “The sort of medicinal healing that only music can provide.” The Los Angeles premiere took place at REDCAT in May of 2026, directed by Diana Wyenn.
Currently, Jodie is collaborating with composer/producer William Brittelle on the formation of a new retro-future-avante-synth-pop band with harp, mallets, and guzheng, with Jodie as music director and lead vocalist.
Videos
The Last of Longridge was shot in Jodie’s childhood home in the week prior to moving out in the summer of 2021. This visual album features Jodie’s original compositions, and arrangements/covers of music by Jherek Bischoff, Emily Hall, Joanna Newsom, Sasha Siem, & Father John Misty.
homunculus suite by Jodie Landau
mantra by Emily Hall
Silence / Tug of War by Sasha Siem
the taste of the room by Jodie Landau
stay going nowhere by Jodie Landau
an invitation (day) by Jodie Landau
an invitation (night) by Jodie Landau
The Nest by Jherek Bischoff
a ballad for you dear by Jodie Landau
I Went to the Store One Day by Father John Misty
music mix & edit – Jherek Bischoff + Jodie Landau
recording engineer – Bradley Butterworth + Jherek Bischoff
video – Brian Hashimoto + Gema Galiana
video edit & color – Brian Hashimoto + Laura Sofía Pérez
featuring:
voice/piano – Jodie Landau
bass/ukulele – Jherek Bischoff
drums – Henry Kwapis
harp – Liza Wallace + Alison Bjorkedal
vibraphone – Sidney Hopson
clarinet/bass clarinet – Brian Walsh
violin – Adrianne Pope, Mona Tian, Kate Outterbridge
viola – Andrew McIntosh
cello – Derek Stein
choir – Kelci Hahn, Molly Pease, Anna Schubert, Kalean Ung Breen, Grace Newberry, Joanna Lynn-Jacobs, Angelica Rowell, Elisa Rosin, Sharon Chohi Kim, Victoria Fox, David Castillo, Alexander Lloyd Blake
special thanks to Valgeir Sigurðsson + Greenhouse Studios
Jodie Landau + Wild Up /as I wait for the lion (official video)
direction and concept by Samantha Shay
filmed by Vvictoria Sendra
performed by Jodie Landau + Samantha Shay
edited by Victoria Sendra + Samantha Shay + Jodie Landau
produced by Samantha Shay + Gerri Ravyn Stanfield
recording featured on Jodie Landau / Wild Up’s “you of all things” released by Bedroom Community
Jodie Landau / wild Up
you of all things
Released October 2, 2015 on Bedroom Community
Reviews
Out now on the Icelandic artist-run label Bedroom Community Records, You of All Things, is radiantly lovely in every detail, but perhaps the loveliest of all is Landau's astonishing vocal performance. As the music demands, it rises to something like a bellow, then sinks back to the airiest whisper, and even as it approaches silence remains impressively nuanced and controlled—it loves the microphone, and the mic plainly reciprocates.
— Daniel Johnson, WQXR — Q2 Music Album of the Week view article
Jodie Landau’s compositions create the path the listener is on. His works, and voice, seduce us with the charm of an old flame laying next to us in bed, the past forgotten and all that matters is where we are now. His tracks have an immediacy that occurs organically, building on ideas that all resolve one another in the end and the results are, like the ending of von Trier’s Breaking the Waves, heavenly. The listener is transported by this album to another world, one unscarred by the harsh realities of the day. It uses music in the way that people have hoped to use it—as pure escapism from the world. The album is a labor of love from everyone involved and in this regard, the case could be made that you of all things has a political statement: what the world needs now is love, sweet love. And what the classical world needs now is Landau, sweet Landau to show it.
— Jackson Cooper, I Care if You Listen view article
Jacob Cooper
Terrain
ft. Jodie Landau, Theo Bleckmann, & Ashley Bathgate
Released July 10, 2020 via New Amsterdam Records
Review
In a collaboration with the stunning singers Theo Bleckmann and Jodie Landau, the sharp young composer processes poems and strings into surprisingly magnetic meditations on time. [...]
For its magnetic middle, Expiation sounds like Animal Collective circa Strawberry Jam, when skywriting vocals crisscrossed intricate layers of surrealist sequences. The piece’s climax is a proper dance number, with hypnotic harmonies webbing a throbbing beat to Landau’s half-yelled pleas for empathy. ‘Each tongue troubles its dark canker,’ he repeats, demanding that the past be reconsidered for the continually changing present.
— Grayson Haver Currin, Pitchfork view article
Ellen Reid & Jodie Landau
Go Tell It
Featured in the movie Buster’s Mal Heart
Released in 2017 via Lakeshore Records
Released on June 18, 2021 via New Amsterdam Records
Upcoming Events
Past Events
October 26, 2018
Jherek Bischoff & Jodie Landau @ Joe’s Pub at The Public
April 26, 2018
